Meeting the Unknown

Scattered Mediterranean places that are made up of idyllic scenes of white village houses, squares, leaning towers and pine trees that are associated with the wonderful and free children's world, essentially imply the artificial nature of the artistic process that will soon step into lyrical abstraction. Recent rural landscapes are an open diary in which neutrally cold observations hide painterly metaphors of our transience, loneliness, and melancholy. Diluted acrylics seem like watercolors that line film frames reduced to simple motifs in a silent ceremony for our eyes. The dominance of the blue raster and the pastel mood are mixed with hints of dematerialization and lyrical abstraction, in which we see the possibility of opening a new, probably the fifth cycle of this valuable artist.

                                                                                                                                                                                              Tonći Šitin, PhD